Where to begin? I entered Livingston College in the fall of 1970 and graduated in the spring of 1974--my B.A. was in Urban Teacher Education (Secondary) and English. As Rutgers approved a double major--instead of a major and minor--one came out with a "double B.A", for all intents and purposes. To give you an idea of how serious this requirement was, there were 22 required courses for the Education major and 18 for the English major! And, even though there were no prerequisite courses, I took them anyway and am glad to have been rounded out as a liberal arts student.
My extra-curricula activities included eight consecutive terms as a student government representative, a formidable group composed of both faculty and students, which was imperative on the most memorable committee that I served on "Scholastic Evaluation and Scholastic Standing Committee. In this committee, the fate of undergraduates literally was in the hands of we faculty and students saddled with the task of determining who could stay and who had to leave Livingston. [At our 10-year Reunion, several classmates came up to me to thank me for the compassion that I and some faculty members showed in allowing them to stay to go on to do good things, professionall and personally. Another of my activities was a wonderful memory of my participation in the glee club, as well as being a reporter/editor for the Third World Report (a paper put out by the Third World Coalition).
Because of Livingston's existence a direct result of the Newark summer rebellions (not riots), the time was thick with heavy issues, including but not limited to the lack of equal rights for African Americans (among others), Open Admissions/Enrollment was struggling to become a reality--I participated in demonstrations and rallies even though I could not qualify for the kind of financial aid that was so desperately needed by so many--, then there was the Vietnam War (or as the Vietnamese termed it "the American War"). There were mind-opening Teach-Ins about virtually every political theme one can imagine. Women's Studies got off the ground, as did Africana Studies, Asian Studies, Puerto Rican Studies, and such.
The dormitory Quads were unique and were named by the students for their compositions: Quad 1 was called "Woodstock"; Quad 2, "Suburbia"; and Quad 3 "The Ghetto". In the last Quad were three "Black Houses" and one "Puerto Rican House". The dorms of the Black Houses were both all female/male and co-ed! Being virtually bi-lingual, I found another "home" in the Puerto Rican House. The nights were magical with Congo drumming in which women as well as men were allowed to play to their heart's content.
This was a multi-racial, multi-generational, multi-religious, and multi-ethnic campus. For the most part, we all lived in harmony and there was a solidarity that was remarkable achieve in any times, let alone the turbulent '60s and '70s. This was a time when anti-war demonstrations/protest rallies around the country were taking place. And, sadly, the National Guard was called in to "restore order" on some campuses, namely Jackson State and Ohio State were senseless student deaths occurred. What many people do not realize is the Guard is armed with the same munitions that is being used by the military during war time. Consequently, we had M-16s trained on us at some of the education-related as well as political rallies! I have never been prouder of Livingston's president, Mason Gross, who boldly and loudly refused the Govenor's call to have the National Guard come onto the Livingston campus! [I believe he paid the price in the coming years when he was ultimately removed from his post.] That was a sad day, indeed. Then there were the takeovers of the President's quarter--I was among those who sat-in until demands were met. And, after I graduated I heard of some students took over the Registrar's offices and destroyed academic records. I cannot understand how that senseless act was going to advance their cause! But, I guess, in any movement it takes all kinds!
On the political front, there were moderates, conservatives and revolutionaries. Discussions between the differinig groups were lively to say the least. But what was terrific was that we listened to one another and much was learned by all--if one was open to hear sentiments different from one's own.
Academically, it was ground-breaking to have access to all classes that the different colleges offered, Livingston, Douglass and Rutgers New Brunswick, as well as the other campuses. Getting around was made easy by the three bus lines (A, B, and C) which made the commute a breeze. Being able to attend classes at the different institutions made for meaningful and lasting friendships and relationships, not to mention the broadenig of one's horizons.
It was at Livingston that some innovative teachers used dormitory lounges to conduct class when space was tight, e.g., Verta Mae Grossinger's cooking class (she went on to have her own cooking show on PBS)! On one occasion, my Spanish Translation class was held in my apartment! It was taught by Miguel Algarin, who is the founder of the Poet's Cafe in Loisaida (The Lower East Side, in New York City). In this vein, some of my English professors would go on to international acclaim or had already established themselves, e.g., Toni Cade Bambara, Nikki Giovanni, Hattie Gossett, A.B. Spellman, Sonia Sanchez, and Marc Crawford,just to name a few. Toni Cade Bambara (who made her transition in '95) made such an indelible impression on me that I have dedicated my book to her! [I will most likely self-publish; and a renowned poet, historian and scholar, Louis Reyes Rivera, who is a good friend of mine, is doing the editing of the book.] In Women's Studies I was introduced to the remarkable Chilean singer/songwriter, Suni Paz. This association included attending her concerts in the summers, in midtown Manhattan.
Let us not forget how many couples came out of liasions at the College--including some that would end in marriage and long-term commitments. (I was one of those fortunates.)
Livingston was ground-breaking in the artists of all hues, activists, revolutionaries, educators, international political figures (some who would find themselves known as political prisoners for the stuggles for independence in their homelands. One such person who I had the honor of meeting on campus was the Puerto Rican independentista Juan Maribras (sp.) who recently made his transition. What I truly loved about, and appreciated, was the ethnic and generational diversity in my classesand throughout the campus.
It made for stimulating discussions and true education at its best! I had a wonderful time at the 10th year Reunion of Livingston College; as well as the 20th, which I attended with a long-time friend who I met in my freshman year. I must say that the 20th was particularly memorable because of the "young ones" who gave their perspective of what the Livingston Mission was.
It was heartbreaking to learn of the College's demise, it was truly unbelievable and inconceivable to me that such a drastic decision was made!
Marian Murray LC'74
Monday, September 20, 2010
Monday, December 28, 2009
Livingston College Archives From 1969-1973
Livingston Alumnus Louis Economopolous was kind enough to share digital images of early yearbook pages, student handbooks and other archives from Livingston College's beginning years. Check it out!
Saturday, August 1, 2009
Livingston College Memories - 1973 Graduate
We thought you'd enjoy these memories and accompanying Livingston Medium article shared by Deborah Stokes, LC '73
Dear Alumni Association,
It's been 36 years since I graduated from Livingston College - ('73) - I was so fortunate to have professors who were working (and successful!) artists, including Leon Golub (painting teacher) and Mel Edwards (sculpture) among others. I organized "Women as Artists, Artists as Women" in the Livingston University art gallery - a time when the Feminist Art Movement was happening. Names and photos attached....I've kept the newspaper clipping all these years - hope you can find a way to incorporate it into our legacy notes!
I veered from studio art to art history and currently hold the position of Curator for Education at the National Museum of African Art Smithsonian Institution in Washington D.C. My early college years at Livingston provided me with a network of artists, scholars, art historians, and others who launched me into the NY art world and beyond. After graduating, I spent 10 years working in the NY art world at: Pace Gallery, Marlborough Gallery, and Phillips Auctioneers before moving to Chicago where I taught African Art History at the University of Illinois Chicago (UIC). I later ran into Leon Golub at several museum openings, including his one-man exhibition at the Museum of Contemporary Art in Chicago. I remember him as an inspiration and also very kind - especially since my talents as a painter were limited! My classes in studio art were a great foundation for materials and techniques, and I put the knowlege to good use today as I program the art workshops at the museum. My first art history course was titled, Primitive Art, taught by George Preston and Adele Starensier. It sparked my interest in African art and later when I found unique opportunities for field research in Nigeria and Kenya. I hope to see POTUS Barack and Michelle Obama with the girls in one of my workshops at the museum soon!
Please keep me posted.
Best regards,
Deborah Stokes
Dear Alumni Association,
It's been 36 years since I graduated from Livingston College - ('73) - I was so fortunate to have professors who were working (and successful!) artists, including Leon Golub (painting teacher) and Mel Edwards (sculpture) among others. I organized "Women as Artists, Artists as Women" in the Livingston University art gallery - a time when the Feminist Art Movement was happening. Names and photos attached....I've kept the newspaper clipping all these years - hope you can find a way to incorporate it into our legacy notes!
I veered from studio art to art history and currently hold the position of Curator for Education at the National Museum of African Art Smithsonian Institution in Washington D.C. My early college years at Livingston provided me with a network of artists, scholars, art historians, and others who launched me into the NY art world and beyond. After graduating, I spent 10 years working in the NY art world at: Pace Gallery, Marlborough Gallery, and Phillips Auctioneers before moving to Chicago where I taught African Art History at the University of Illinois Chicago (UIC). I later ran into Leon Golub at several museum openings, including his one-man exhibition at the Museum of Contemporary Art in Chicago. I remember him as an inspiration and also very kind - especially since my talents as a painter were limited! My classes in studio art were a great foundation for materials and techniques, and I put the knowlege to good use today as I program the art workshops at the museum. My first art history course was titled, Primitive Art, taught by George Preston and Adele Starensier. It sparked my interest in African art and later when I found unique opportunities for field research in Nigeria and Kenya. I hope to see POTUS Barack and Michelle Obama with the girls in one of my workshops at the museum soon!
Please keep me posted.
Best regards,
Deborah Stokes
Tuesday, May 12, 2009
Spruced Up Livingston Campus Plaza
George Jones, Dean of Students at the Livingston Campus, sent along some photos of the recent upgrades made to the plaza between Tillet and Lucy Stone Halls. This is the first step in many improvements being planned for Livingston. Stay tuned!
Monday, March 30, 2009
Our condolences to the family and friends of Riki Jacobs, who received the Livingston Distinguished Alumni Award in 2000 and did amazing work as the executive director of the Hyacinth Aids Foundation. Read more
Saturday, December 13, 2008
Kaz Wright: Teacher Who Makes Magic
Congratulations to LAA Board Member and Franklin Township teacher Kaz Wright, who on
December 12 was named by WMGQ radio (Magic 98.3 FM)as a Teacher Who Makes Magic.
According to Kaz, she was nominated by her school's principal and "he interrupted
classes promptly at 9:15 am as they made the announcement on the radio."
Kaz and the other teachers selected for this honor will be recognized at an awards
banquet in the spring. She also became a lifetime member of the
"Teachers Who Make Magic" Class.
Congratulations, Kaz!
Sunday, September 14, 2008
Livingston Distinguished Alumni Awards
Join us on May 16, 2009 for the presentation of the Livingston Distinguished Alumni Awards. Those of you who read the LAA blog will have inside information on our honorees, which include Marla Diamond, Francoise Jacobsohn, Dr. Martha Nell Smith, Thomas Ellery and Kevin Apuzzio, whose memory will be honored with the presentation of the Seth Dvorin Young Alumni Award to Kevin's family.
With the construction going on at the Livingston Student Center, it looks like our home for the 2009 awards ceremony will be the Douglass Student Center. Stay tuned for more information!
With the construction going on at the Livingston Student Center, it looks like our home for the 2009 awards ceremony will be the Douglass Student Center. Stay tuned for more information!
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